Евреев причислили наконец к белым.
Таким образом, они недостаточно мультикультурны и их надо как можно меньше, причем именно в той области культуры, которую они главным образом и создали и извлекают наибольшую пользу из - именно кино.
Жиды, вон из глобальной культурки. Кино - важнейшее из марксистских искусств.
Как в стихотворении Маяковского, мистер Твистер бывший министр, а также мистер Бендер, бывший истэндер, если вам не нравится китаец и малаец заодно с креолом и бушменом, чемодан-вокзал-Израиль. Да и то - извольте подвинуться и сесть рядом с палестинцами.
Jews, blacks, and beans, a modern-day Three Stooges act, taking turns slapping each other. Except Jews have always been Moe. Now they’re Shemp.
In another year they’ll be Emil Sitka.
I want to be clear about what I’m saying, and what I’m not saying. I’m not claiming that Jews “control Hollywood” in a conspiratorial sense. There are no cabals in this business. This is an industry where every smile is fake and every handshake oily. Everyone’s out for themselves, and alliances are short-lived. But one of the reasons for the massive Jewish presence behind the scenes is that West and East Coast Jews are literally born speaking the language of the industry.
If I went to Nova Scotia to become a fisherman, the lingo would be a foreign tongue to me. “Tack that scoot-rung; bilge that jimp.”
As a Beverly Hills yid, I’d be lost.
But I grew up speaking Hollywood.
Generally, most American Jews grow up immersed in that language. Whether or not they make a career out of it, there’s an understanding that they can if they want to, and if they do, they’ll fit in perfectly.
So the psychological toll of being informed that they’re now capped, that beyond a certain number they’ll be barred from the business because of their skin color, is severe. You can feel the anxiety in the panicky words of the Jews interviewed for the Substack piece; they’re rattled.
....
...the goal isn’t diversity but punishment. Retribution. Study any racial cap-and-quota system throughout history: Jim Crow South, Nazi Germany, apartheid South Africa, 20th-century Fiji. It’s always about keeping one group down. It’s never about “equity.” It’s about the empowered telling the disfavored, “I want to keep you stifled. I want to artificially inhibit your chances of success.”
..We should be honest about this: Hollywood’s caps and quotas are not about adding blacks but subtracting whites. And now Jews are finding out that for the purposes of this discussion, they’re as white as Grace Kelly. If “whiteness is a state of mind” (the ideology pushed by the Ibram X. Kendis and funded by the Shlomo Oyveygenbergs), then Ashkenazi Tay-Sachs DNA don’t count for shit.
You white, kike. And you capped, sucka.
....
https://www.takimag.com/article/hollywoods-jews-get-their-wandering-papers/
Геббельс на том свете и смеется, и плачет. Совершенно неясно, зачем нужны были некрасивые газовые камеры и проч, когда можно вот так изящно.
Таким образом, они недостаточно мультикультурны и их надо как можно меньше, причем именно в той области культуры, которую они главным образом и создали и извлекают наибольшую пользу из - именно кино.
Жиды, вон из глобальной культурки. Кино - важнейшее из марксистских искусств.
Как в стихотворении Маяковского, мистер Твистер бывший министр, а также мистер Бендер, бывший истэндер, если вам не нравится китаец и малаец заодно с креолом и бушменом, чемодан-вокзал-Израиль. Да и то - извольте подвинуться и сесть рядом с палестинцами.
Jews, blacks, and beans, a modern-day Three Stooges act, taking turns slapping each other. Except Jews have always been Moe. Now they’re Shemp.
In another year they’ll be Emil Sitka.
I want to be clear about what I’m saying, and what I’m not saying. I’m not claiming that Jews “control Hollywood” in a conspiratorial sense. There are no cabals in this business. This is an industry where every smile is fake and every handshake oily. Everyone’s out for themselves, and alliances are short-lived. But one of the reasons for the massive Jewish presence behind the scenes is that West and East Coast Jews are literally born speaking the language of the industry.
If I went to Nova Scotia to become a fisherman, the lingo would be a foreign tongue to me. “Tack that scoot-rung; bilge that jimp.”
As a Beverly Hills yid, I’d be lost.
But I grew up speaking Hollywood.
Generally, most American Jews grow up immersed in that language. Whether or not they make a career out of it, there’s an understanding that they can if they want to, and if they do, they’ll fit in perfectly.
So the psychological toll of being informed that they’re now capped, that beyond a certain number they’ll be barred from the business because of their skin color, is severe. You can feel the anxiety in the panicky words of the Jews interviewed for the Substack piece; they’re rattled.
....
...the goal isn’t diversity but punishment. Retribution. Study any racial cap-and-quota system throughout history: Jim Crow South, Nazi Germany, apartheid South Africa, 20th-century Fiji. It’s always about keeping one group down. It’s never about “equity.” It’s about the empowered telling the disfavored, “I want to keep you stifled. I want to artificially inhibit your chances of success.”
..We should be honest about this: Hollywood’s caps and quotas are not about adding blacks but subtracting whites. And now Jews are finding out that for the purposes of this discussion, they’re as white as Grace Kelly. If “whiteness is a state of mind” (the ideology pushed by the Ibram X. Kendis and funded by the Shlomo Oyveygenbergs), then Ashkenazi Tay-Sachs DNA don’t count for shit.
You white, kike. And you capped, sucka.
....
https://www.takimag.com/article/hollywoods-jews-get-their-wandering-papers/
Геббельс на том свете и смеется, и плачет. Совершенно неясно, зачем нужны были некрасивые газовые камеры и проч, когда можно вот так изящно.